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05/12/2019, LE He needed high office to gain the requisite influence,[9] and being known as a dramatist, allegedly low-class profession, would have impeded his prospects (see Stigma of print). Tout d’abord, le théâtre de Shakespeare traduit une prodigieuse érudition philologique, historique, théologique, etc., qui dépassait de beaucoup les possibilités personnelles de l’acteur de ce nom, intelligent certes, mais qui n’eut jamais l’occasion ni le temps d’acquérir les connaissances fantastiquement encyclopédiques de Francis Bacon. C’est le mot acceptation qui caractérise le choix du véritable Initié et ce sera donc un devoir pour lui d’assumer toutes les conditions matérielles, pauvreté ou richesse extérieures, selon les cas nécessaires à l’accomplissement de sa mission. Celui-ci le fera nommer Grand Chancelier d’Angleterre en 1618. Keeping this cookie enabled helps us to improve our website.
Copyright © 2020 The Francis Bacon Society — Uptown Style WordPress theme by, Francis Bacon and the Decryption of Nature, Decimals, Logarithms, and the Binary Scale. suggest that Sir Francis Bacon was, in fact, William Shakespeare. An intimate of both Bacon and Shakespeare – he was for a time the former's stenographer and Latin interpreter, and had his debut as a playwright produced by the latter – he was placed perfectly to be in the know. Despite the fact that Bacon and Shakespeare appear as different individuals, Baconians have argued that this is a coded assertion of Bacon's authorship of the canon, or at least proof that he was recognised as a poet. Hall denigrates several poems by Labeo and states that he passes off criticism to "shift it to another's name". When Bokenham discovered a symmetrical group of letters which spelled AUTHORS and another group in the shape of an inverted arrowhead which spelled MANUSCRIPTS, he decided that the Shakespeare monument at Stratford should be examined. Les documents rassemblés par quelques chercheurs nous forcent même à le considérer comme ayant probablement atteint au début du XVIIe siècle, la plus haute dignité visible dans la hiérarchie rosicrucienne : celle d’Imperator de l’Ordre. He did not name Shakespeare among the sixteen greatest cards of the epoch but wrote of Bacon that he "hath filled up all the numbers and performed that in our tongue which may be compared or preferred either to insolent Greece and haughty Rome so that he may be named, and stand as the mark and acme of our language. Squaring this version, Bokenham found groups of letters spelling I FRA BACON HID A MANUSCRIPT BEHIND. "[56], Horace Howard Furness wrote in a letter that, "Donnelly's theory about Bacon's authorship is too foolish to be seriously answered. The spread of literacy and personal capability of judgment, called by Bacon the Advancement of Learning. Comment la comptabilité peut-elle conférer une vérité légale aux nombres? [35], Various images, especially in the frontispieces or title pages of books, have been said to contain symbolism pointing to Bacon's authorship.
[29], In addition, it is argued that Bacon's and Shakespeare's styles of writing are profoundly different, and that they use very different vocabulary.
There is an example in Troilus and Cressida (2.2.163) which shows that Bacon and Shakespeare shared the same interpretation of an Aristotelian view: Bacon's similar take reads thus: "Is not the opinion of Aristotle very wise and worthy to be regarded, 'that young men are no fit auditors of moral philosophy', because the boiling heat of their affections is not yet settled, nor tempered with time and experience?"[53].
The Shakespeare plays have attracted a degree of cultural reverence and vehement emotion normally reserved for religion. The status of literature in Elizabethan society, including anonymous and pseudonymous authorship. (...) c'est une sorte d'excitation, peut-être même comme une excitation sexuelle,... A l’occasion de l'exposition "Bacon en toutes lettres" au Centre Pompidou, le critique d’art et romancier Franck Maubert, auteur en 2012 du « Dernier modèle... Une grande exposition sur l’influence de la littérature dans l’œuvre de Francis Bacon a lieu au Centre Pompidou. Shakespeare is considered one of the greatest authors in history, and without a formal education the intricacy of his work would be impossible. The wall above the door of the inscription room is hollow and is constructed in lathe and plaster. This is surely connected with the cultural dichotomy of art and science that anachronistic view which, following its own prejudice, must see an artist like Shakespeare as an unintellectual, inspired rustic and a scientists like Bacon as a cold, unimaginative thinker. “This indicates that something had been removed,” wrote Bokenham, “almost certainly by a senior member of the Rosicrucian Fraternity.”. Following a suggestion from a colleague, Bokenham looked for a possible cipher message in the famous inscription at the top of Canonbury Tower. James Shapiro, "Forgery on Forgery," TLS (26 March 2010), 14–15. Honnêtement, on est plongé dans le vertige et l’émerveillement. Because of the incredible number of coincidences between “Shakespeare” and Bacon, it is obvious that Bacon wrote Shakespeare. "T'es qu'une égoïste, une mauvaise mère : une mère ça ne se suicide pas". Other books with similar alleged coded imagery include the third edition of John Florio's translation of Montaigne, and various editions of works by Bacon himself. I don't think he started it for any other purpose than notoriety. [24], Opponents of this view argue that Shakespeare's erudition was greatly exaggerated by Victorian enthusiasts, and that the works display the typical knowledge of a man with a grammar school education of the time. The most glaring mistake was the word “fabrick” in the seventh line spelled with an N: Fnbrick. Baconians often use "Shakspere"[1] or "Shakespeare" for the glover's son and actor from Stratford, and "Shake-speare" for the author to avoid the assumption that the Stratford man wrote the work. To begin with, examine Francis Bacon. Various explanations are offered for this alleged subterfuge, most commonly that Bacon's rise to high office might have been hindered were it to become known that he wrote plays for the public stage. [32], Baconians Walter Begley and Bertram G. Theobald claimed that Elizabethan satirists Joseph Hall and John Marston alluded to Francis Bacon as the true author of Venus and Adonis and The Rape of Lucrece by using the sobriquet "Labeo" in a series of poems published in 1597–98. 09/10/2019, Réécouter Bacon, le corps en morceaux (4/4) : Présence de Bacon, LE Crédits : Ulf Andersen. He established the Francis Bacon Foundation in California in 1937 and left it his collection of Baconiana. He had no formal education after thirteen, was from a small provincial town, was a professional actor, had two daughters who were illiterate, didn’t mention any of his works in his will, and whose only surviving handwriting is six signatures on legal documents (Rubenstein 69).
At the end of John Aubrey’s biography of Bacon of 1681, which was published in the book Aubrey’s Brief Lives, Aubrey states: “This October 1681, it rang over all St. Albans that Sir Harbottle Grimson, Master of the Rolles (the then owner of Gorhambury estate) had removed the coffin of this most renowned Lord Chancellor to make roome for his owne to lye in the vault there at St. Michael’s Church.”. These two figures are similar to the two figures that appear in the 1616 Plempius Engraving. From the publication of “The Taming of the Shrew” in 1594 to the publication of the First Folio in 1623, 4,936 new lines were added to the plays, a majority of which were added posthumously (sirbacon). Realising that play-acting was used by the ancients "as a means of educating men's minds to virtue",[10] and being "strongly addicted to the theatre"[11] himself, he is claimed to have set out the otherwise-unpublished moral philosophical component of his Great Instauration project in the Shakespearean work.
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