Aber das muss Spekulation bleiben. 3.641 (corresponding to //. Price. quos ego cur iterum demens iterumque recordor, tam magno discreta mari? The description of Medea’s dress bathed in moonlight following the capture of the fleece appears as though it were a wedding dress[63]. Check if you have access via personal or institutional login, COPYRIGHT: © The Classical Association 1987, https://doi.org/10.1017/S0009838800031724, Vision, Gender and Narrative in Ancient Epic, Proceedings of the Cambridge Philological Society, The preferred age of a potential mate reflects evolved male sexual psychology, Perceived age, physical attractiveness and sex differences in preferred mates' ages, Mortality and age-specific patterns of marriage, MARY; FIRST QUEEN-REGNANT OF ENGLAND AND IRELAND, Variations on a theme: Age dependent mate selection in humans. [107] Levin, 1971:15; Feeney, 1991:64-5; Lefkowitz, 2007:179. Zwar trägt Jupiter mit seinem Expansionskonzept in der Götterdiskussion den Sieg davon; auch deutet er an, dass das Projekt über viele Jahrhunderte andauern und von einem dafür geeigneten Volk vollendet werden soll – worin man unschwer das Römische Reich erkennen kann. 12 I do not agree with Vian (Note complementaire to 1116) that Medea is saying that she will torment Jason ‘comme un revenant’. 20–3. Er setzt viele Vorkenntnisse voraus, besonders die vollständige Kenntnis des Apollonios. 1. [95] Lefkowitz and Fant (1995) cited in Shipley, 2000:104. ): im Epos ‚Argonautica’ schwört Iason bei Zeus Hikesios (dem Schutzflehenden Hilfe gewährenden Zeus), 4,358-359. ‘Conquest of the Mephistophelian Nausicaa: Medea’s Role in Apollonius’ Redefinition of the Epic Hero’, in J. Clauss and S. Johnston (ed), Medea Essays on Medea in Myth, Literature, Philosphy and Art Princeton: Princeton University Press, 1997. What I say the gods will not leave unaccomplished’[34]. However, it is important to be cautious when drawing conclusions on the lives of women in wider Greek society due to the differing natures of each city state[75]. Die Argonautica sind ein Epos des römischen Dichters Gaius Valerius Flaccus (1. In the passage below Ovid imagines the words the young Medea would have used to confront and manage the emotional turmoil aroused by her first sight of Jason. A. Hurst, Apollonios de Rhodes: maniere et coherence (Rome, 1967), pp. Behind criticism of this kind lies both an understandable desire to relate the characters of ancient literature, if not to our own experience, at least to what instinct tells us is possible, and the whole tradition of criticism which descends from the Poetics of Aristotle. [103] Feeney, 1991:65; Gutzwiller, 2007:79. BOOK 3. 25vel sine amore licet; quid enim commisit Iason? Meyer, D. ‘Apollonius as a Hellenistic Geographer’, in T. Papanghelis and A. Rengakos (eds), A Companion to Apollonius Rhodius Leiden: Brill, 2001, pp. Some of the parallels between Books 3 and 4 have now been noted by A. In Euripides’ Trojan Women and Hippolytus Helen and Phaedra’s passions have brought about death and destruction[109]. The evidence of Medea’s rhetorical skill, assistance to Jason and involvement in Apsyrtos’ murder would certainly support such an argument. Medea was known as a sorceress who used her magic to fight a monster called Talos during Jason’s quest to obtain the Golden Fleece. Aus diesen Gründen wird er wahrscheinlich weiterhin ein „Geheimtipp“ bleiben. Why Is There a “Problem” of Evil? Seine Sprache ist an Vergil, ferner Ovid orientiert, in den Bildern greift er sehr oft auch auf Homer zurück und es fehlt nicht an Originalität im Detail und an wirklich schönen, glänzenden Passagen. 93. [e-book] Available at: http://www.oxfordscholarship.com/ [Accessed: 10th January 2015]. 26 Trj in 369 clearly foreshadows Medea′s betrayal of Apsyrtus, cf. Das Ende des Epos. However, from this point the character develops a rhetorical skill attuned to that of Euripides’ Medea. Even though documents such as this exist it cannot be taken that women undertook contractual matters regularly. ne pereat timeo? Medea is a defining mythological figure and as such it is important to understand how and why Apollonius draws upon Euripides. cit. How and why does the characterisation of Medea in Apollonius Rhodius draw on the characterisation of the Euripidean Medea. Perseus Digital Library http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0124%3Acard%3D1 [Accessed: 3 January 2015]. 257 (cf. most recently J. Tatum, AJP 105 (1984), 44(M, S. Skulsky, AJP 106 (1985), 447–55, J. Griffin, Latin Poets and Roman Life (London, 1985), p. 159. Medea’s name means ‘The Planner’ and this skill is a consistent theme throughout Argonautica and Medea[28]. even from afar, may be, it tortures us! [e-book] Available at: https://search.ebscohost.com/ [Accessed: 31st December 2014]. Apollonius’ description of the deception used to lure Apsyrtos to his death is the same as that used by Euripides’ Medea to destroy Glauce[60]. He was of the stock of bronze, of the men sprung from ash-trees, the last left among the sons of the gods and the son of Cronos gave him to Europa to be the warder of Crete and to stride round the island thrice a day with his feet of bronze. Medea’s first appearance in Argonautica as a love-struck young girl unable to speak to Jason is unrecognisable to the representation of Euripides[98]. [70] Fantham et al, 1994:140, 163-8; Pomeroy, 1994:120; Shipley, 2000:104-5. 13.84–90, Eur. Thalmann, W. Apollonius of Rhodes and the Spaces of Hellenism Oxford: Oxford University Press, 2011. Medea’s anger can be compared to Aietes’ when he discovers Jason’s intention to claim the Golden Fleece[38]. [3] Gow and Page (1965:II.251) cited in Klooster (2011:151); Fraser (1972:I.599) cited in Klooster (2011:151); Klooster 2011:151. Letzteres könnte dem Werk einen ganz anderen Schwerpunkt geben, als es jetzt vermittelt. [e-book] Available at: https://search.ebscohost.com/ [Accessed: 31st December 2014]. Furthermore, the language used on each occasion is comparable, ‘Show kindness to me!…Take pity on me…May the immortals grant you both a life of fulfilment…children, and the glory of an unravaged city’ Medea declares to Arete[14]. [122] Euripides Medea 103-4; Apollonius 4.391. Assembly of the Argonauts 3. 13 Catullus used Medea′s speech for Ariadne′s lament in Poem 64; note 4.385–7/Cat. The murder is attributed to Medea in Euripides’ Medea[23]. 4, 1989, pp. The contract informs Demetria how she would resolve a breach of contract should she need to. Furthermore, epigraphic evidence exists such as the gravestone of a woman from Sardis that states ‘The book shows you were wise’ suggesting she would have been educated[95]. Available at: http://www.jstor.org/stable/20538886 [Accessed: 30th December 2014]. 4.1025; Od. cur, quem modo denique vidi. [77] Dillon (2012:231-2) references Hellenistic grave reliefs from Delos that document women who travelled widely. Women of Lemnos 4. The character development of Medea throughout Argonautica books three and four indicates a progression towards her Corinthian counterpart. The Love of Medea 4. Sie entscheidet sich damit gegen ihren Vater und ihr ganzes bisheriges Leben. Wilamowitz ii.212 n. 2, Frankel 456, and the notes of Livrea and Vian. She can also make elaborate concoctions and magical potions. This characteristic Ovidian dilemma between passion and reason obviously influenced Valerius Flaccusâ conception of Medea, while both Latin poets drew on Apollonius of Rhodesâ portrayal of the young Medea in his influential Hellenistic epic Argonautica, written in Greek in the early third century BCE. Apollonius assumes his Alexandrian audience would have been aware of the mythological traditions of Medea and Jason and the story told by Euripides[92]. For further information see Corrigan's book in the Bibliography. Medea’s passion though uncontrollable (due to the influence of the gods) is explored in detail by Apollonius through her thought processes. This echoes the comments of Euripides’ chorus who declare that they never want the arrow of desire to ‘fly against my heart’ or for Aphrodite to ‘madden my heart with love for a stranger’s bed’[44]. The following works are cited by author name only: C. R. Beye, Epic and Romance in the Argonautica of Apollonius(Carbondale, 1982); M. Campbell, Studies in the Third Book ofApollonius Rhodius Argonautica(Hildesheim, 1983); H. Frankel, Noten zu den Argonautika des Apollonios(Munich, 1968); M. Fusillo, Il tempo delle argonautiche(Rome, 1985); P. Hiibscher, Die Charakteristik der personen in Apollonios′ Argonautika(diss. Dieses Gemälde befindet sich im Château de Versailles. Change ), You are commenting using your Twitter account. Within scholarship the plays of Euripides are widely considered to be a forerunner of Hellenistic works[3].
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