(C minor 6th) or (Cm6) is (C - E flat – G – A) where the “minor” applies only to the third interval.

It's inaccurate. In any case, all the cases not covered by common usage can just use two m's to spell out which triad and which 6th or 7th. There are 3 of these: The "m6" chord is related to melodic minor mode.

If you like you can think of it as a Cmin add6 chord. By default "m7" means dorian, and you will have "mb9b6" for phrygian and and "mb6" for natural minor. This step explains how to invert note intervals, then identifies the G-flat 6th inverted note intervals shown in previous steps. To subscribe to this RSS feed, copy and paste this URL into your RSS reader. This step shows the G-flat sixth intervals on the piano, treble clef and bass clef. The interval distance between the notes is 4 whole steps, which ads up to 8 frets from note to note. For example, the interval from C up to the nearest A is a major sixth. Also, this chord could belong to another scale as well; to the Bb major scale ( or the G natural minor scale). It only takes a minute to sign up.

The chord symbol system is used as a sort of shorthand for harmonization and therefore terms are used sparingly.

However, if this is just a mnemonic device for remembering—and if you're already using Mixolydian to remember one of the chords—why not conceive of the min6 chord as being built like a Dorian scale?

Not sure if your question is quite a duplicate, but I think this question and it's answers will give you the info you need: I agree with everyone that this isn't the best way to conceive of chord construction. Every white or black key could have a flat(b) or sharp(#) accidental name, depending on how that note is used. If C7 denoted the major 7th chord rather than the dominant, we would have to write CMm7 for the dominant, which is clumsy for such a frequently needed chord (already verbose without any additional voices like 9ths, 11ths and so on, and alterations). That's all there is to say really. In the example Eb C G A try following this with another made by moving any 2 of the notes by a semitone - so we might get D C F# A, and instant D7 chord asking please to resolve to G major: G D G B. So this same chord, C-Eb-G-A could easily serve as the subdominant in G minor, and in this case it would be derived from the G natural minor scale. So this naming system forces all related 6th intervals to share the same treble / bass clef line or space, as ultimately they are all 6ths, but each interval having different interval quality names (major, minor, diminished etc). In music from Western culture, a sixth is a musical interval encompassing six note letter names or staff positions (see Interval number for more details), and the major sixth is one of two commonly occurring sixths.

Does chord type(major or minor) remains the same for common chord progressions irrespective of any mode or scale? The Cm6 chord has a major 6th interval in it simply because the "minor" refers only to the second note; it informs us that the second note is a minor third.

The interval quality for each note in this major scale is always perfect or major. Minor 6th (Descending) – Older people will have no problem remembering the song “Love Story.” In the opening line “Where do I begin,” the interval between “where” and “do” is a descending Minor 6th. The second, third, sixth and seventh are non-perfect intervals; it can either be a major or minor interval. NO 'C Major6' or 'C Maj6'!! I'd like to add that a minor triad with a minor sixth is just an inversion of a major seventh chord, so it wouldn't add anything new. 6ths, like 3rds, sound particularly good because of how they harmonise with chords. Is there any way for a gas to pass through a solid metal? Please check the last paragraph. You might think it would be included in the minor sixth chord, but it …



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