He was born near Ballymoney, County Antrim, Ire., May, 1811, and was brought to America when a child six years old. By the name Dana she is known in hymnology, though she afterwards became Mrs. Shindler. We are bound for the land of the pure and the holy, The home of the happy, the kingdom of love;Ye wand'rers from God on the broad road of folly,O say, will you go to the Eden above?

This may be found, vocalized with full harmony, in the American Vocalist.

There's a problem loading this menu right now. He is supposed to have written his well-known hymn in 1758. O sing to me of heavenWhen I'm about to die. Come, my brethren, let us tryFor a little seasonEvery burden to lay by,Come and let us reason. The hymn began going out of use fifty years ago, and is now seldom seen. It was composed by three Indians at the planting of a memorial pine on leaving Dartmouth College, where they had been studying. By and by we'll go home for to meet him, [three times] Safely in the Promised Land. The best known is that beginning --. Under the momentum of a wrestling hour or a common rapture of experience, counterpoint was unthought of, and the same notes for every voice lifted pleading and praise in monophonic impromptu. They went up from the fiery furnace,They went up from the fiery furnace,They went up from the fiery furnace,Safely to the Promised Land. My brother, I wish you well,My brother, I wish you well;When my Lord calls I trust you willBe mentioned in the Promised Land. He lived a laborious and useful life of seventy-seven years, dying Sept.24, 1868. Elder Leland died in North Adams, Mass., Jan.14, 1844. The refrains --.

The Lord into His garden comes;The spices yield a rich perfume,The lilies grow and thrive,The lilies grow and thrive.Refreshing showers of grace divineFrom Jesus flow to every vine,Which makes the dead revive,Which makes the dead revive.

This item will ship to United States, but the seller has not specified shipping options. Even Jonathan Edwards admitted the need of better psalm-books and better psalmody. This colloquial rhyme was apt to be started by some good brother or sister in one of the chilly pauses of a prayer-meeting. The above "hand-shaking" ditty at the altar gatherings apparently took its tune self-made, inspired in its first singer's soul by the feeling of the moment -- and the strain was so simple that the convert could join in at once and chant --, -- through all the loving rotations of the crude hymn-tune.

The name "S. Chandler," attached to "Ganges," leaves the identity of the composer in shadow.

He was a tireless worker as a pastor (long in New London, Ct.,) and a still harder toiler in the field as an evangelist and as a helper eagerly called for in revivals; and, through all, he was as happy as a boy in vacation. Jonathan Aldrich, about 1860, harmonized it in his Sacred Lyre, but this, and the few other old vestry and field manuals that contain it, were compiled before it became the fashion to date and authenticate hymns and tunes. To get the free app, enter your mobile phone number. Culture smiles at this unclassic hymnody of long ago, but its history should disarm criticism. In 1801 he revisited that region on a curious errand. A little more recent than these other old Christian songs, “Oh What a Savior” was still written nearly 60 years ago.

Complete, fully searchable information about Old Fashioned Revival Hour Songs, with MIDI files and page scans. Edward Francis Rimbault, born at Soho, Eng., June 13, 1816, was at sixteen years of age organist at the Soho Swiss Church, and became a skilled though not a prolific composer. His major chorals and fugues, such as "Portland," "Buckfield," and "Turner" had in them the spirit of healthier melody and longer life.

Shipping and handling. Several hymns were written by this remarkable man, and also "An Account of the Customs and Manners of the Montauks." The reunion ode of those stoical college classmates of a stoical race could have been sung in the same B flat minor.

"The Puritans took their pleasures seriously," and this did not cease to be true till at least two hundred years after the Pilgrims landed or Boston was founded.

-- was a favorite at ancient camp-meetings, and a good leader could keep it going in a congregation or a happy group of vocalists, improvising a new start-line after every stop until his memory or invention gave out. Was a common old-time piece sure to be heard at every religious rally, and every one present, saint and sinner, had it by heart, or at least the chorus of it --.

It is supposed he was born in 1760. The church -- and the world -- owe a long debt to the old evangelistic refrains that rang through the sixty years before the Civil War, some of them flavored with tuneful piety of a remoter time. When the dreams of life are fled,When its wasted lamps are dead,When in cold oblivion's shadeBeauty, health, and strength are laid,Where immortal spirits reign,There we all shall meet again. Creedence Clearwater Revival in 1968. Thomas.". There was a problem loading your book clubs.

When it was decided to remove the school from Lebanon, Ct., the efforts of Governor Wentworth, of New Hampshire, secured its location at Hanover in that state. The tune was sometimes "Pleyel's Hymn," but oftener it was sung to a melody now generally forgotten of much the same movement but slurred in peculiarly sweet and tender turns. -- in the author's copy. Scoffers and "hoodlums" who interrupted him in his meetings never interrupted him but once.

These were voices as sure to be heard in converts' meetings as the leader's prayer or text, the former sung inevitably to Rimbault's tune, "Happy Day," and the latter to a "Western Melody" quite as closely akin to Wesley's words. The sing-song movement and accent of old "Nettleton" made it the country favorite. The lines indicate an expectation of missionary life and work.

A strange, wild paean of exultant song was one often heard from Peter Cartwright, the muscular circuit-preacher. ", Dean Milman (of St Paul's), besides his many striking poems and learned historical works, wrote at least twelve hymns, among which are --.

The fact that minor music is the natural Indian tone in song makes it probable that the melody is as ancient as the hymn -- though no date is given for either. -- to a tune in B flat minor, excessively plaintive, and likely to sadden an emotional singer or hearer to tears. The anonymous[24] "Garden Hymn, as old, at least, as 1800," has nearly passed out of reach, except by the long arm of the antiquary; but it served its generation. After four years study, then a young man of twenty-two, he began to teach and preach among the Montauk Indians, and in 1759 the Presbytery of Suffolk Co., L.I., ordained him to the ministry.

The full harmony is found in the American Vocalist, and the air is reprinted in the Revivalist (1868).

The tune appeared about 1790. The "poetry" expressed what he wanted to say -- which, in his view, was sufficient apology for it. The hymn, "Awaked by Sinai's Awful Sound," set to the stentorian tune of "Ganges," was a tremendous sermon in itself to old-time congregations, and is probably as indicative of the doctrines which converted its writer as of the contemporary belief prominent in choir and pulpit. When me be old, me head be gray,Den He no lebe me, so He say:Me wid you till you die.Den take me up to shinee place,See white man, red man, black man's face,All happy 'like on high. Hunter, D.D., (1842) printed in his Minstrel of Zion (1845). He was born at Barnes, Surrey, Eng., (according to one account,) and died at St. Neot's. Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Its vigorous tune is credited to Jeremiah Ingalls (1764-1838). Such song-births of spiritual enthusiasm are beyond enumeration -- and it is useless to hunt for author or composer.

But while I thus in anguish lay,Jesus of Nazareth passed that way;I felt His pity move.The sinner, once by justice slain,Now by His grace is born again,And sings eternal Love! ... 923 Songs with theme: Revival. Editor: Alfred E. Smith: Publisher: Alfred E. Smith, Wheaton, IL, 1950: Indexes. The Rev. It began originally with the line --.

Kingsley's "Messiah" which accompanies the words, but the modulations are wanting. Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates.

The interests of the school at Lebanon, where he had been educated, were dear to him, and he was tireless in its cause, procuring pupils for it, and working eloquently as its advocate with voice and pen. The following, from the early years of the last century, is apparently the first, certainly the only surviving, effort of a converted but half-educated red man to utter his thoughts in pious metre. It was the favorite hymn of his wife, the beloved Peggy Dow, and has furnished the key-word of more than one devotional rhyme that has uplifted the toiling souls of rural evangelists and their greenwood congregations: How sweet to reflect on the joys that await meIn yon blissful region, the haven of rest,Where glorified spirits with welcome shall greet me, And lead me to mansions prepared for the blest.There, dwelling in light, and with glory enshrouded, My happiness perfect, my mind's sky unclouded,I'll bathe in the ocean of pleasure unbounded,And range with delight through the Eden of love.

And then hymn and tune took possession of the assembly and rolled on in a circle with --, O Cana-an, bright Cana-an!I am bound for the land of Cana-an;O Cana-an it is my hap-py home,I am bound for the land of Cana-an. Abraham Dow Merrill, the author of the music to this triumphal death-song, was born in Salem, N.H., 1796, and died April 29, 1878.



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