raw deal (1948 review)

Usually, if there is cheating in a movie of this era, regardless of the genre, one of the participants does not know, and does not find out about the unfaithfulness of their partner until two-thirds of the way into the story. Film noir prefers more baroque outbursts of malice, ideally illuminating, however briefly, the dark crevasses of human psychopathology. Burr is on target as a weaselly crime creep with an interest in flame. A star-sprinkled cast, a nail-biter ending, one bizarre movie — “Strange But True, Classic Film Review: “Raw Deal” (1948) is as “noir” as Film Noir Gets, Reviews, previews, profiles and movie news, Netflixable? Felton dresses up “The Babysitter’s Guide to Monster Hunting”, Movie Preview: Sleep deprivation as torture porn? Don’t worry, it won’t take long. [Tom von Logue Newth], GurkanKilicaslan.com [Gurkan Kilicaslan] (Turkish), Krell Laboratories [Christianne Benedict], Laura's Miscellaneous Musings [Laura Grieve], Maníacos por Filme [Claudio Carvalho] (Portuguese), Ozus' World Movie Reviews [Dennis Schwartz], Rotten Tomatoes - Reviews from the Nation's Top Critics, The Evening Class - Eddie Muller Interview With Marsha Hunt [Michael Guillen], The Films of Anthony Mann [Michael E. Grost], Through the Shattered Lens [Gary Loggins]. “Raw Deal” is a clipped, cutting classic noir from Anthony Mann, who went on to do bio-pics (“The Glenn Miller Story”), epics (“El Cid”) and most of Jimmy Stewart’s best Westerns, notably “Winchester ’73.”. This is a film about a man who cannot seem to escape the system that he is stuck in. Pat (Claire) is talking to herself in a world-weary manner, trying to convince herself that everything will be fine, while car riding to visit her boyfriend, Joe Sullivan (O’Keefe). Hunt's character serves to constantly prick O'Keefe's conscience and remind him of the time before necessity forced him into a life of crime, etc, etc. It is that innocence he had as a child that he lost, that Miss Ann Martin (Hunt) feels could be replenished. Raw Deal is directed by Anthony Mann and adapted by Leopold Atlas & John C. Higgins from a suggested story by Arnold B. Armstrong & Audrey Ashley. Pat (Claire) is talking to herself in a world-weary manner, trying to convince herself that everything will be fine, while car riding to visit her boyfriend, Joe Sullivan (O’Keefe). Of course, in accord with Chekhov's dictum that a rifle produced in Act One must be discharged by Act Three, waiting in the wings there's a conflagration with Burr's name on it. That is something that works rather well for this nightmarish tale. The lighting, or lack thereof, is visually striking. How does O'Keefe make his escape? Claire, in a voiceover, sensing how Joe feels about Ann and recalling that he never said that he loves her, bemoans to herself how she feels more rotten than before; and, now that she got him out of prison, she isn’t even sitting next to him in the car. When he goes to the window to look down her street the moonlight shines in through the Venetian blinds, causing the light to enter the room in horizontal slats of light. | Rating: 4.5/5 He becomes a lambster with two dames one bad -co-star Clair Trevor (so deliciously evil the year before in Born To Kill) and one good. Top notch noir flick directed by Anthony Mann with Dennis O'Keefe starring. Your AMC Ticket Confirmation# can be found in your order confirmation email. I believe that this is to show the strong emotions in the face of the two women, and lack of emotion in Joe. Classic Film Review: “Raw Deal” (1948) is as “noir” as Film Noir Gets Posted on September 2, 2020 by rogerinorlando I dropped in on the third act of this one on Movies ! Your Ticket Confirmation # is located under the header in your email that reads "Your Ticket Reservation Details". Add Article. Meanwhile, Raymond Burr plays the man responsible for Joe being in prison. Fire and rain, shadow and fog, yearning and betrayal, deep loyalty and triple-crossing--as a mood piece this movie is unsurpassed. This Noir Has Something No Other Movie Has Ever Had: Solid thriller with punchy pace and tough edge. Raw Deal (1948) is simply a great noir. Joe and Pat are aboard a steamer, and Joe tells a steward he wants to get married at sea. But it, somehow, sounds to her, that he is saying it to Ann not her. From Claire Trevor's spacey, almost whispered voiceover, to the eerie moog soundtrack, to the foggy, shadowy scenography, Raw Deal is one of the most brilliantly conceived and masterfully crafted hardboiled movies ever made. This movie, a cheap b-production with only one actor with stand-out talent, Claire Trevor, and a young powerful Raymond Burr, manages to seem authentic all the way through because it doesn't hold back on the violence or the threat of violence. User Reviews Trevor plays her part perfectly as the love-starved and none-to-bright Pat. (7.5) Raw Deal (1948) - Dennis O'Keefe/Claire Trevor/Marsha Hunt/Raymond Burr/John Ireland/Regis Toomey/Whit Bissell/Chili Williams/Curt Conway/Cliff Clark. 100% TOMATOMETER Total Count: 9 81% Audience Score User Ratings: 1,314 . Rick’s plan now becomes to send Fantail to Crescent City and eliminate their unsuspecting partner. Find helpful customer reviews and review ratings for Raw Deal (1948) at Amazon.com. And then she blurts out the truth about the phone call. REVIEWED ON 1/27/2000 GRADE: A-   https://dennisschwartzreviews.com/. and the Terms and Policies, Ann is found locked in another room and escapes with Joe, as Joe dies in her arms. Rick sends out Fantail (I love that name, by the way) to a scheduled meeting with Joe in a taxidermist's shop near the ocean…to finish him off. The percentage of users who rated this 3.5 stars or higher. They won't be able to see your review if you only submit your rating. I can count only a couple of film noir in which the voice-over is done by a doomed (in love)woman. Coming Soon. The light is extremely low to show how the world is a dark place. Italian mom fights evildoers who apply "The Binding (Il Legame)" to her little girl, Netflixable? and raymond burr makes a really nasty villain. stunning photography and it's the only noir film i can think of with a female voiceover, for which claire trevor is perfect of course. His favorite toy is a cigarette lighter, and there's many candles burning in his headquarters on Corkscrew Alley, which is also the street where both Joe and his moll Pat (Trevor, also the narrator) grew up. the other night and was so blown away by the shadows, fog and downbeat tone that I got up at 4 in the morning to watch the whole movie repeated a couple of days later. etc) and focuses on the fascinating triangle between the fugitive, his fiercely loyal girlfriend (Claire Trevor) and the goody-goody legal messenger (Marsha Hunt) whom the pair take hostage when she threatens to squeal. The photography is electric, consisting of low angle shots and reflections of light coming in from the open window, giving the scene a naturally eerie look and a depth perception creating the illusion of how far apart the men have now become in their lives.

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