the white castle summary

Gradually Hoja and the narrator are introduced to the Sultan, for whom they eventually design an enormous iron weapon. The pasha commissions him to work on a fireworks display for his son's wedding. Subsequently, Hoja spends most of his time working on the “machine of war” which turns out to be a boondoggle, while the narrator forms a closer bond with the sultan, educating him and telling him stories. Using the narrator's knowledge of astronomy, as well as tales from Italy, he's able to entertain the young sultan. The Narrator and Hoja are both seen as intellectuals. Using basic anatomy, he's able to bluff successfully, but he is still imprisoned when the ship arrives. The White Castle. The narrator works with Hoja, believing that he'll have nothing useful to share with Hoja. He is married, with children, and has done quite well financially while he worked as royal astrologer, though he resigned his post before the intrigue got him killed. He revised it while updating the language for publication. Their first collaborations result in a movable model of the cosmos and a clock which only the nine-year-old sovereign (the historical figure Mehmet IV [1648-1687]) takes much interest in. When the captain hesitates, the ship is taken, and the narrator and his fellows are captured. The models of the heliocentric and geocentric universes also come to represent the two men and their views on the world. The narrator goes into hiding as well. (See metafiction). Orhan Pamuk's third novel, The White Castle, begins with a frame story in which the author of the preface, Faruk Darvinoğlu, claims he has found a seventeenth-century manuscript in the governor's forgotten archive in Istanbul. The White Castle Summary & Study Guide includes comprehensive information and analysis to Order our The White Castle Study Guide This Study Guide consists of approximately 55 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of The White Castle. The White Castle Summary Thanks for exploring this SuperSummary Plot Summary of “The White Castle” by Orhan Pamuk. The dynamic of the slave-master relationship is a recurring theme throughout The White Castle. Hoja reveals his goal of gaining the sultan's favor in order to obtain the position as court astrologer. The failure of The Ottoman Empire, and its modern counterparts, such as Turkey, to modernize along with its rivals is a common conflict and theme throughout Pamuk's work. The White Castle (original Turkish title: Beyaz Kale) is a novel by Turkish writer Orhan Pamuk. Hoja wins the favor of the sultan on an amusing hunting expedition during which the sultan saves the life of an exceptional little white rabbit and Hoja interprets the rabbit's bizarre actions for him. The narrator, fearing for his life, claims to be a doctor. The Italian becomes Hoja's personal slave and is released from prison into his custody. The two work on the fireworks display and the narrator's insights onto contemporary science goes a great deal to assist his doppelganger, leading to the display's success. The slave-master dynamic continues to deteriorate when the two realize they are able to switch identities.[1]. As the narrator continues to write about his past, Hoja becomes increasingly malicious and taunts the narrator over his past misdeeds, and claims that while he cannot admit his faults, because the narrator can, Hoja can claim superiority over him. The pasha instructs the two of them to work together to create a stupendous firework display for his son's wedding to the grand vizier's daughter. Hoja continues trying to learn about the narrator's past. The failure of the Ottomans to capture Dobbio is described by the narrator as their failure to attain something pure, perfect. For other uses, see, "Pirates, Pashas and the Imperial Astrologer", "Fictional Displacements: An Analysis of Three Texts by Orhan Pamuk (Ph D thesis)", https://en.wikipedia.org/w/index.php?title=The_White_Castle&oldid=923826103, Wikipedia articles with WorldCat identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 31 October 2019, at 00:58. This article is about the Orhan Pamuk novel. After the plague subsides, Hoja obtains the post of imperial astrologer. When the narrator first meets Hoja, Hoja looks as he did, or at least believes he looked, having not seen his reflection in some time. The narrator learns from a distance that the weapon has not only failed, but that the Poles that they were attacking have obtained reinforcements from Hungary, Austria and the Cossacks. The story proper begins with an unnamed narrator being captured by the Turkish fleet while sailing from Venice to Naples. However, while neither can truly claim that they know more than the other at first, the narrator's knowledge is contemporary, and more scientifically sound than Hoja's, which is filtered through another language, and then filtered again through dogma. Hoja also realizes this, and as the two men learn more about each other, the realization that Hoja could trade places with him and return to Italy without any problems becomes a source of distress for the narrator. Whether or not the story actually took place, and if it did, whether or not the narrator was the unnamed slave or Hoja is left unknown. They quickly exchange clothes, while the narrator reminds Hoja of the details about his family in Venice, enabling Hoja to save his life by becoming the Venetian narrator. The story begins with a frame tale in the form of a preface written by historian Faruk Darvinoglu (a character referenced in Pamuk's previous book, Silent House) between 1984 and 1985, according to the fictional dedication to the character's late sister at the beginning of the frame tale. A traveling author, Evliya Chelebi, seeks him out, hoping to learn about Italy, as he'd once owned an Italian slave. Surprised by a Turkish fleet that emerged from dense fog, his ship's captain hesitates to act, permitting the Turks to capture the ship. The events of this story take place in 17th century Istanbul. There the narrator visits Hoja's family house with him, then returns alone a few days later in order to find the path to the hospital where Hoja's grandfather used to tell him stories. There is also ambiguity in the final chapter of the book. After a heavy rainstorm, the contraption gets stuck in the mud, and it crushes the men operating it without so much as touching the enemy. The fireworks are a smashing, if somewhat disturbing, success and the two continue to collaborate on projects like brothers. When the time comes for the war machine to save the day, it fails miserably. Competing over the influence of the sultan's mother and his youthful impatience, he sets out to create a great weapon that will prove his brilliance, and that of the Ottoman Empire's. Print Word PDF The narrator of the manuscript story, a young Venetian student from a well-to-do family, is sailing on a ship from Venice to Naples. The slave is told to instruct the master in Western science and technology, from medicine to astronomy. During his imprisonment, he is brought before the pasha, and cures him of his shortness of breath. The look-alikes know instantly that they will never be able to take it. The story begins with a frame tale in the form of a preface written by historian Faruk Darvinoglu (a character referenced in Pamuk's previous book, Silent House) between 1984 and 1985, according to the fictional dedication to the character's late sister at the beginning of the frame tale. Hoja then disappears into the fog, similar to the fog out of which the Turkish fleet suddenly emerged at the beginning of the novel. Fearing for his life, Hoja abandons the narrator and vanishes. In a matter of minutes, a reversal of roles takes place: the Turks take control of the ship and the Europeans become their slaves. An acquaintance tells him that manuscripts such as the one he found could be found throughout the many old, wooden houses of Istanbul, mistaken for ancient Korans, and left venerated and unread. When prisoners from Spain arrive, he tries to get word of home, to no avail. When he refuses even then, the pasha commends him and ridicules him for his stubbornness, before turning him over to Hoja's custody. Gradually, the Italian manages to convince the Turks that he is a doctor and by successfully treating the pasha, he wins his favor. That is when they first catch a glimpse of the awesome fortification: the white castle on top of the hill, gleaming pure white with flags flying from its towers. They work on the weapon for the next six years. In the meantime, the narrator's longing for home clashes with Hoja's obliviousness to his desires, and the two oppose each other at the same time as they explore their personal identities. 1 731 votes SuperSummary - The White Castle Small provider of short book summaries. The narrator sees and uses his knowledge as a way to help whereas Hoja uses his knowledge to move his own ambitions forward. This study guide contains the following sections: This detailed literature summary also contains Quotes and a Free Quiz on Neither Hoja nor the narrator are mentioned, only a vague 'He'. With some encouragement, he decides to publish the manuscript. The White Castle is set in a semi-historical, semi-mythical 17th-century Istanbul, and opens with the unnamed narrator telling us how he came to live there. Sites with a short overview, synopsis, book report, or summary of The White Castle by Orhan Pamuk. While living with Hoja, the narrator is the subject to Hoja's cruelty, ambitions, and inquiries. Though he is still a slave, he begins to gain preferential treatment among the slaves and prison guards. Shortly thereafter, the sovereign's grandmother plots to kill him and replace him with his brother, but the plot fails and the sultan survives, fulfilling Hoja's interpretation of the rabbit's actions. The other soldiers and the pashas are furious, placing the look-alikes in grave danger unless, somehow, the capture of the white castle can save them. Hoja takes all the credit for these accomplishments as if the narrator did not exist. Thus, his novel can be understood as a sophisticated puzzle for a connoisseur of the novel genre, as well as an implicit commentary on modern Turkey.

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