The only other thing I will mention is if he is using a 900 he will occasionally add a TS9 or an MXR GT OD to juice it a bit. Marshall, Gibson, Fender, Charvel/Jackson. He even used my amp for 3 shows at one point. I know this is a random question but does anyone know the delay settings he used on the intro for the tune Dance? We use cookies to improve your experience on this website and so that ads you see online can be tailored to your online browsing interests. So I read through this thread and have come to the realization that no one really knows what he used on anything! I'd really like to see them, especially in the current form. how to get the pink floyd another brick in the wall guitar delay sound, "jones beach" "Belkin TuneTalk Stereo->iPod->Sound Studio->AIFF->xACT->FLAC ", Beck, Lukather, Santana Kamikaze jam 1986 That's my food's food, and I don't appreciate you eating that. It's not. Does he use any kind of lead boost? Karuizawa Prince Hotel, Kar, Currently Active Users Viewing This Thread: 1. Suntory Beer Sound Market '86 Not sure it speaks exactly to the channel question but both were awesome reads for me! http://www.woodytone.com/2010/04/09/war ... -and-gear/, http://www.woodytone.com/2010/04/12/det ... r-rundown/, It is currently Sat, Oct 17, 2020 11:43am. I'm interested in his channels and settings I guess. I know this is a random question but does anyone know the delay settings he used on the intro? But I'm just guessing. .You lucky bastard! Or can i keep the master low, just the pre-amp on 8-10? Find Warren DeMartini bio, music, credits, awards, & streaming links on AllMusic If players put half as much time into working on technique as they do replicating a signal chain we'd have many more players worth listening to (from both a … I know he uses the old PCM41 and 42s with the SLO. View the profiles of people named Warren De Martini. By continuing to browse our site you agree to our use of data and cookies. I could kill a building. A typical setup for the LA (or anywhere) ’80s. . I'm talking about playing live. I have been lucky enough to tech for him a few times over the past few years. I want to just use the Overdrive channel all the time (it sounds great for heavy rhythms), but then I guess I'd have to boost it for leads, and I don't particularly want to alter the sound, just bump it up louder I guess. I know back in … What effects does DeMartini use and what's the setting for these? ", “I don’t see any commercial potential. Then, switch to the clean channel for clean stuff. Thanks! Yep, Rez, he seems to go back and forth between the Diezels and the SLOs. Does he use the rhythm channel for his non-lead parts? Looks like he was using his SLO's the other night at the Canyon Club - Band sounds killer, especially with Juan back. ", "Broccoli? Warren usually has "two" SLO's live and his solo's seemed to be boosted, so I would assume he's switching between the two heads. That's all Marshall AFAIK. I agree - there are way too many people who believe the gear is #1. loved his tone and vibrato, and i still play his little pinky slide lick from "you're in trouble" to this day, Shows what a RATT Lynch was.. then again, Warren did steal some of Lynch's legato and vibrato techniques so it all evens out! "I'm happy to pay my tech $40 bucks to take the zap for me. Is he on the lead channel all the time, and rolls back for cleaner parts? Traditional boosting won't give a SLO any volume boost. View unanswered posts | View active topics, Board index » Rig-Talk Discussions » Rig-Talk, Moderators: smdb, Mailman1971, tfridgen, JackBootedThug, psycom, Users browsing this forum: technomancer and 27 guests. Dave Friedman of RACKSYSTEMS is a genius. He just picks the perfect riff or solo for a song. Explore releases from Warren DeMartini at Discogs. I cant tell you the exact specs of his amps or effects but from his sound on a lotta live vids it sounds like he just uses a lotta Over Drive, so you could try just CRANKING the drive on your amp and seeing where that takes you and then decide for yourself if you need more or not.
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