h�bbd```b``� �� ��(�d��L}`�)`5s��6������`�L��ɕ`��$�H� �@��5&���`YF�����_ ��9 %%EOF Mitchell, Ernest Julius. osc@harvard.edu, t: 187 0 obj <>stream Best known for her novel Their Eyes Were Watching God (1937) and ethnographies of the American South and the Caribbean, Hurston received less attention for writings that do not fit neatly in these fields; of her major works, Moses has received the least. �%5��%:�.�UZe _L�����~?� Zora’s Moses explores the process of revision by which Hurston shaped and transformed these diverse materials to fit the demands of the novel. MITCHELL-DISSERTATION-2019.pdf (2.638Mb)(embargoed until: 2021-03-01) Author. Excerpt from Moses, Man of the Mountain. Mitchell, Ernest Julius. h��Wmo�8�+���D�w;� �~3�M�t��_�|�i�ɪ����,Ӆo�����S�u�zXd��T4���_İ3#�0q z���U����D���e�}�{q��/���!��W�U���q�)�����l�p�~O�.\�F��^�O����;�z���c鸢d?�ZbF�(׽��ݶ�?�I�9�Yb8o�(c��RJ�WJ�n�ڂ�����Y�sw�� �%��Q����~D��>�Q�;,1����H�_����v�rO��&���� ��Q��Ư��W���J�BI߆�8_d�Y5O����ߞ!�À� ��G�|t~\�m F'��f�m �'�9�L^mO���!/���d0/�g����z�-q�`�0+.&��t�A��^������X쁱�.��pْ��:D�1�s�=&���.��� ���I�tx�b^�1�Ez�w`�`��F�h dl;��������u�!�m���y!��`w9�T6F�'�T.�G���?o�:�>��6��PPJ�eJ8à4܁_Pj��r���lu��&,&���'6�s%�NK�p��»J�c�$7P�uM���Xj')�gL"�t��D ��$�Gη��������1O�Яtx4�l'��c@C�r���?͊?W9t��bUS{����)$0��q�w1��� L�ط��dx@ �a����b��1�?Hc�{�s���2����)�ᬄ���E ��M-W!�4t����u-�` ��k��c&� m��…�sPS�u�~�6�l���=~^V:�CRÌqW�v�cj�{.��4�ƽ��y��K8���C0�π���=�4��A�É 2019. IN COLLECTIONS. h�T��n�0E�|�,[ua�L�"6I*eч��{c)R1�!��}����k_|���v�� ����8C�[�q/^#�x�-��^��[ʁ��u�q8�n��&aq��N��I>�x�}o�A)�ϯ�/����v M�Dl_�{U� �]BF�.g�'�4ze�)e���V �5�ד�]m���O�3��LQ!��QU�S���k��i�T0�O��2�UDmJ��M�-9V�8d‡I�y�+;�Yܒ�F��gs�弳��* ����]�Up,�f[�Z�����ŦƁ߆�/އ�ѭ�)���oǍ.�">ɯ �¨� 174 0 obj <>/Filter/FlateDecode/ID[<1C3DD2D68B10334A850A20667DD8895D>]/Index[156 32]/Info 155 0 R/Length 93/Prev 242966/Root 157 0 R/Size 188/Type/XRef/W[1 3 1]>>stream O.T. 156 0 obj <> endobj Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citation Mitchell, Ernest Julius. 2019. Yet it should be seen as the culmination of her early work in several disciplines, and the decisive point of departure for her later works. Moses, man of the mountain by Zora Neale Hurston. JavaScript is disabled for your browser. http://nrs.harvard.edu/urn-3:HUL.InstRepos:41121297, This dissertation reconsiders Moses, Man of the Mountain (1939), arguing for its central place in Zora Neale Hurston’s corpus, and its importance to the literary history of American modernism. 162 downloads 1752 Views 473KB Size Report. Books to Borrow. Borrow this book to access EPUB and PDF files. Have mercy! %PDF-1.6 %���� +1 (617) 495 0370. +1 (617) 495 4089, f: Best known for her novel Their Eyes Were Watching God (1937) and ethnographies of the American South and the Caribbean, Hurston received less attention for writings that do not fit neatly in these fields; of her major works, Moses has received the least. Helpful. Mitchell, Ernest Julius. h�T��n�0E�|�,[u����ڴ�,�P�vfH���Y����T]`t�g. 33:11). Author: Hurston Zora Neale. Four chapters analyze specific textual aspects: Chapter 1 traces the use of dialect in the novel’s polyphonic structure; Chapter 2 surveys the role of allegory and personification in representations of Egypt; Chapter 3 scrutinizes failed ethical encounters within the novel’s pastoral landscapes; Chapter 4 examines Moses’ curious penchant for soliloquy. �~F��m������d�#@8'�|��ɞ'��$ osc@harvard.edu, t: �����'�9����9����7Ğ+�{GX���`�|��q���k�kz���aE�R��ci��~>� �~�� �� This article is made available under the terms and conditions applicable to Other Posted Material, as set forth at, http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of-use#LAA, http://nrs.harvard.edu/urn-3:HUL.InstRepos:41121297. Hurston’s version of the Moses story draws on many religious sources, from the King James Bible to the Talmud, Qur’an, Hellenistic writings, and oral tales from Africa and its diaspora. Zora’s Moses examines how this hybridity affects theological issues: charisma, destiny, evil, freedom, revelation, sacrifice, sacrilege, transcendence. Moses hadn’t come yet, and these were the years when Israel first made tears. [�m$ �du����PJ�N:���c�gl?Olf��M�laKK��DŽ��0�j-#�S'\p� \S�[I3�Y! endstream endobj 160 0 obj <>stream The story is a spin off the bible story of Moses, but she uses it as a way to integrate social problems of the black community and highlight the insecurities and complacency of black people during this time. endstream endobj 161 0 obj <>stream This dissertation reconsiders Moses, Man of the Mountain (1939), arguing for its central place in Zora Neale Hurston’s corpus, and its importance to the literary history of American modernism. Lord, have mercy on my poor soul!” Women gave birth and whispered cries like this in caves and out-of-the-way places that humans didn’t usually use for birthplaces. e: Fourth, other prophets needed to undergo lengthy preparations to hear the Divine word; Moses spoke to God whenever he wanted or needed to. JavaScript is disabled for your browser. g3��F������7]����l��iV��f4�f�S���`��#]�W�E�AS�^zFy4ۮ��;Q���~젼�V�1�����,x�`e(�FY��q���"}(Il���a��z2��'(���ۓY��Jr��Cn�e�:���t�E^ Yet it should be seen as the culmination of her early work in several disciplines, and the decisive point of departure for her later works. Some features of this site may not work without it. The introduction briefly reconstructs her research, tracing mentions of Moses in her other works. Multiple drafts of the novel are compared to show how plot and prose evolved through revision. This hybridity also effects aesthetic form: Moses holds religious fragments in a rigorous pastiche, parodying genres like allegory, pastoral, tragedy, and fable. ( Moses, Man of the Mountain is divided into two complementary parts: the first one takes place in Egypt and follows the whereabouts of Moses, his coming-of-age and his transformation into the leader of his real people, the Hebrews, to whom he will lead into their liberating adventure.

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